I want to analyze songs and signing from a neuroscience perspective and
show that it has all the qualities to make an optimal educational medium. Songs
has several unique cognitive aspects. The first is its sequence-memory aspect
and by this I mean that once you know a song, even hearing the first few notes,
you can recite the song completely. Even more than that, if you hear a note in
the middle of a song, you can continue with no problem reciting it. However, it
is almost impossible to recite the song backward in time, i.e. from start to
finish. In order to do that, you need to re-sing the song from the beginning
each time. The second aspect is song's catchiness and by this I mean our extraordinary
ability to remember songs from first hearing. This field has been studied, but
I'm not certain as to the degree we fully understand why (more on this below).
Songs, in this aspect, are very different from poems or any other non-musical
verbal medium. It is the rhythm and fluency of the song that makes them so
memorable, in my opinion. I propose a project to find out the exact border
between songs and poems, in that how much rhythm is required for us to learn
and remember them.
The next aspect is the neurobiological one. Memories are created and
recalled by patterns of activations of neuronal cell firing. There is a vast
network of neurons that form an intricate and complex connectivity pattern and
the sequence of activation determines the memory being recalled. Note that a
specific neuron spiking may be enough to cause a recall, or other behavioral
outcomes, but the memory itself is stored across a plethora of neurons. I
believe that singing has that unique aspect of optimal recall due to their
rhythm and fluency, mentioned above. I believe that opposed to a story or a
poem, the temporal aspect of songs somehow resonate with the neuronal
activation patterns. Furthermore, as opposed to music, which may also be unique
in the former aspect, we have quite a large chunk of brain associated with
language. I believe that this unique combination of a verbal and a rhythmic
component is what makes songs so memorable. I propose a project in which
activation of neuronal cells resonate with their inherent network activation
and show that in the human auditory cortex and language areas, these
activations occur only, or mostly, during singing.
To sum up the neuroscience aspect of singing as the optimal educational
medium, I believe that for some bizarre reason, our brain is wired such that
songs are optimal in the encoding and retrieving of memory. This grants us the
opportunity to use them as an educational tool, if memory is required.